“Water Lily” in Tincture & an alternate Owl.

Continuing a trend of mutual love between British and Commonwealth publications and me, the Australian journal Tincture this week included my story “Water Lily” (the first of this past year’s new crop of stories written at the Hewnoaks Artists Colony) in their new 17th Issue.

Elaine’s rule was defense. This was her home. No one else’s. When the striking time arrived, she’d strike to kill. But only after the intruder struck first. She could wait as long as she needed to wait. Annette would say just bag it and tag it but Annette wasn’t here. It wasn’t her call. Elaine could afford to be patient. She would not strike first. In her mind, she certainly would strike last.

Tincture also previously published my story “Arena” in their 14th Issue in 2014.

img_0058And also this week, as a result of weird circumstance and ninja-like reflexes, a new, very industrial version of One Thousand Owls Behind Your Chest now exists in the world. This alternate incarnation of the collection can be found at Longfellow Books in Portland, Maine, in the Beyond Repair online store, and (if you feel like contacting me directly) in an envelope mailed to you from me.

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“Boys’ Life / Rough Frontiers” in the Lascaux Review.

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“Winter Landscape,” oil on canvas, Valerius de Saedeleer, 1931

“There’s a second when I can’t really see and I think, sure enough, my uncle and I would make a great team, swooning and faint in a rush of too much. But the truth is, I can’t really ever lose my head the way I want to. Not again.”

Read “Boys’ Life / Rough Frontiers” for free in the Lascaux Review.

“Fandanguillo” in Issue 5 of The Stoneslide Corrective

stoneslide-5“Seriously, I do not think anyone would care to understand—and you have so eloquently demonstrated this point time and time again—no one cares about the way our westbound flight chased the setting sun so the world before us, for hours above the wet Pacific, was drenched in a sweet and syrupy red, a light and a color that for most people fixed firmly to the Earth only ever last for a few seconds each day, yet can sublime on and on in a movie or in a dream. Or, just this once, for me. And even then, staring out the window with my nose stinging beneath the pungency of your highball of Ardbeg that not once before we landed left your fist, yes, even then, gazing out the porthole glass, I couldn’t help but wonder: so is this a movie, or is it a dream?”

Read “Fandanguillo” in its entirety in The Stoneslide Corrective’s new AFTERMATH issue, available now.fandanweb

One Thousand Owls in flight.

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Performing from the book with Nat Baldwin. Photo by Alexis Iammarino.

Ebullient isn’t an emotion that I often feel, let alone admit to. Yet here I am, bubbly and fluid in the wake of last night’s event. Our performance could not have gone any better, and I couldn’t have done it without the support of some of the best people I know. Nat Baldwin, Genevieve Johnson, Patrick Kiley of Pilot Editions, Sam Gould of Beyond Repair and Red76, Scott Sell, and everyone making the machinery move at Space Gallery and the Maine Writers and Publishers Alliance: I owe you folks the world.

One Thousand Owls Behind Your Chest can now be purchased directly from Beyond Repair, made by human hands specifically for you.img_0051

(3/3) OTOBYC trailer

A second trailer for OTOBYC.

A well-meaning Apocalypse.

While the final details of One Thousand Owls Behind Your Chest click together in advance of the book’s December 15th release, a few other no-less-important events from these past couple weeks deserve a moment’s highlighting.

  • pushcart-xliThough not yet officially released (at least not according to their website), the 2017 edition of the Pushcart Prize anthology has begun to appear in libraries, bookstores, and—in the instance of one particular copy—my own mailbox. This year’s anthology includes some breathtaking work by Lydia Davis, Deb Olin Unferth, and Steve Almond, among others. It’s truly an honor to see my own story, “Blue of the World,” included among such amazing company. If you cannot find a copy of The Pushcart Prize Anthology XLI at your local bookseller, it is currently available online through Amazon and Barnes & Noble.
  • Matchbook, an online journal of flash fiction, this week published “Mandarini,” an experiment in pronouns involving love and fruit. The story is also accompanied by a brief essay, explaining the motivation behind, not just this story, but much of my creative narrative work.
  •  Exhibits: A 67 Press Anthology, has just come out in digital formats (the print edition of the anthology is slated for release this coming December).

    Exhibits houses an eclectic group of characters featuring drug addicts, Gods, and fallen rock stars inhabiting the same space. There’s bedbugs, S&M, and a shape shifting dinosaur. There’s excess and poverty, love and hate, and a well-meaning apocalypse for good measure.

    Exhibits also features my short story “Dummy,” an excerpt of which can be read here.

  • the-chart-anthologyAnd in one more bit of anthology news, The Chart, an independent journal for art and art criticism with a focus on Maine and New England in general, has recently published its first anthology. Produced by Wing Club Press, The Chart 2015-2016 Anthology includes two of my essays as well as a review of one of the more gonzo performances I helped curate surrounding the release of last year’s Cream River. The anthology is gorgeous, and all proceeds will be used to continue paying contributors to The Chart for their work.

And finally, maybe now is as good a time as any to release the first book trailer for One Thousand Owls Behind Your Chest. Try not to get too creeped-out.