“There’s a second when I can’t really see and I think, sure enough, my uncle and I would make a great team, swooning and faint in a rush of too much. But the truth is, I can’t really ever lose my head the way I want to. Not again.”
Read “Boys’ Life / Rough Frontiers” for free in the Lascaux Review.
“Seriously, I do not think anyone would care to understand—and you have so eloquently demonstrated this point time and time again—no one cares about the way our westbound flight chased the setting sun so the world before us, for hours above the wet Pacific, was drenched in a sweet and syrupy red, a light and a color that for most people fixed firmly to the Earth only ever last for a few seconds each day, yet can sublime on and on in a movie or in a dream. Or, just this once, for me. And even then, staring out the window with my nose stinging beneath the pungency of your highball of Ardbeg that not once before we landed left your fist, yes, even then, gazing out the porthole glass, I couldn’t help but wonder: so is this a movie, or is it a dream?”
Read “Fandanguillo” in its entirety in The Stoneslide Corrective’s new AFTERMATH issue, available now.
Ebullient isn’t an emotion that I often feel, let alone admit to. Yet here I am, bubbly and fluid in the wake of last night’s event. Our performance could not have gone any better, and I couldn’t have done it without the support of some of the best people I know. Nat Baldwin, Genevieve Johnson, Patrick Kiley of Pilot Editions, Sam Gould of Beyond Repair and Red76, Scott Sell, and everyone making the machinery move at Space Gallery and the Maine Writers and Publishers Alliance: I owe you folks the world.
One Thousand Owls Behind Your Chest can now be purchased directly from Beyond Repair, made by human hands specifically for you.
While the final details of One Thousand Owls Behind Your Chest click together in advance of the book’s December 15th release, a few other no-less-important events from these past couple weeks deserve a moment’s highlighting.
Exhibits houses an eclectic group of characters featuring drug addicts, Gods, and fallen rock stars inhabiting the same space. There’s bedbugs, S&M, and a shape shifting dinosaur. There’s excess and poverty, love and hate, and a well-meaning apocalypse for good measure.
Exhibits also features my short story “Dummy,” an excerpt of which can be read here.
And finally, maybe now is as good a time as any to release the first book trailer for One Thousand Owls Behind Your Chest. Try not to get too creeped-out.
A trans youth seeking mythic answers from a corpse. An autistic boy combing a collective farm for his sister. A homeless man yearning for anyone to protect. From a normalized dystopian future to the ever-impossible now, Pushcart Prize-winning author Douglas W. Milliken’s One Thousand Owls Behind Your Chest searches the borderland where the terror of human confusion confronts the babbling chaos of the Nature Without, where alienation fingers the braille surface of connection, where violence digs its nails into compassion.
Due out December 15th, 2016 through Beyond Repair / Wooden Leg Print & Press.
Praise for CREAM RIVER
“I believe Doug Milliken has a firm grasp of life’s little traumas. He takes his chunk of loving meat and hangs it from a butcher’s hook on display for the world to read.”
—from the foreword by Ben Trickey, singer/songwriter
“Cream River [...] is still on my mind, as if its characters were hanging around in the dark shadows of my consciousness. [...] I was blown away by “Color Wheel.” I also loved how the stories had a series of sometimes evident and sometimes subterranean connections that became especially intriguing as the cycle approached its end. I highly recommend reading Cream River.”
—Jonathan Weisberg, The Stoneslide Corrective
"I loved every story, every word."
—Erin Sprinkle, singer/songwriter
Praise for TO SLEEP AS ANIMALS
“[...] it is impossible not to be the weird kid in Milliken's Reno. To Sleep as Animals is a mystery about characters succumbing to their spaces, how such a rugged landscape sustains so many strange and dangerous lives.”
“A disturbance of a very specific flavor [...] Milliken's writing is urgent yet finely considered—a literate pleasure.”
—Carl Skoggard, translator of Walter Benjamin's Berlin Childhood circa 1900.
“A distinctive and often vertiginously frightening psychological landscape [...] bracingly disturbing.”
—Megan Grumbling, author of Persephone in the Late Anthropocene.
Praise for BRAND NEW MOON
“These stories [...] glow with some sort of holy light, as if every moment were magic, like footage of your family picnic on super 8.”
—The Portland Phoenix
“Seriously the funniest thing I have ever read. I was laughing so much that [my wife] yelled at me. Probably because she was sleeping. And it was 2 AM.”
—Derek Kimball, Last House Productions
Praise for WHITE HORSES
“Douglas W. Milliken takes his time unveiling the savoring of the moment in a narrative of extremely gracious intimacy. The dignified personal. Expert surreal grounded prose. Pragmatic poetics that serve the whole. This man is a master of simile. And it never gets old because the associations are always complex and unexpected. Worked accuracy but seamlessly so. Wow throughout the heartbreaking sensuality. Its core a felled forest of need. The title story, ‘White Horses,’ cannot be improved, which is another way of saying it is perfect.”
—Melody Sumner Carnahan, co-founder of Burning Books.