The completion of an award and a nod from the Chart.

As the summer declines through August’s swampy downswing, things have gotten hectic. I won’t bother listing the minutia, as most of this furious whirlwind of activity is of no general interest, but amid these past weeks of rampant change, two happenings of note have passed.

Firstly, my story “Blue of the World”—which last May took first-place in Glimmer Train’s “Family Matters” contest—has at long last been published in the new autumn issue of that very same journal. This beautiful edition (their 94th issue) also features work by the masterful Stephen Dixon, as well as a picture of me at five-days old. So there are multiple incentives to checking out this issue, which can be ordered here.

Secondly, the Chart—Maine’s newest online journal for art and art criticism—featured in its inaugural issue a brief rundown of The Royal Open, “a contemporary mash-up of salons, drifts, and Sunday promenades” that I co-curated with the performance artist Genevieve Johnson. To learn a little more about The Royal Open and see documentation, please read this article by Chart co-founder Jenna Crowder.

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